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Summer concerts on the park grounds, an annual event since 1946, are generously sponsored by the Saint-Gaudens Memorial with additional support of donors and partners. The performances carry on a tradition by Augustus Saint-Gaudens, who often held concerts in his studio for family and friends. Many of the concerts feature the Little Studio’s historic piano, once owned by Cornish Colony painter Maxfield Parrish.
All concerts are free with park entry and begin at 2pm.
The Fischers and the Jennings after their 2022 performance
NPS/Rob Strong
2026 Line-Up
July 12
John Davis, pianist Music of Blind Tom, Blind Boone, and other early African American pioneers
July 19
Adrienne Taylor Classical works for cello and piano
July 26
The Fischers and the Jennings Classical works for violin, piano, and cello
August 2
Gerry Grimo and the East Bay Jazz Ensemble Vintage jazz and American Songbook classics from the Gilded Age and Big Band era
The Villalobos Brothers performing at the park in 2025.
NPS/M. Zingler
August 9
New London Brass Vibrant brass celebrating the golden era of swing
August 16
Aba Diop Trio African rhythms meet modern jazz
August 23
The Villalobos Brothers Traditional and original music by a groundbreaking Mexican fiddling trio
August 30
20th Annual Rosamond Edmondson Memorial Concert Brahms piano quartets with Markus Placci, Lila Brown, Rhonda Rider, and Sally Pinkas
Attending Sunday Concerts
Check out these frequently asked questions as you plan your visit.
The park is located at: 139 Saint Gaudens Road
Cornish, NH 03745
This is just off of NH route 12A, 12 miles south of West Lebanon, NH. See Directions for further details.
Three parking areas are available during concerts. Visitors with different needs can choose a lot based on their circumstances. Below is a description of each of the lots, their features and accessibility information:
Lower Field
The Lower Field is the main parking location during concerts, and includes several spots reserved for visitors with accessibility needs. A staff member is stationed at the lot starting at 12:30pm, and can assist with directions and support. An electric, multi-passenger vehicle shuttles visitors to and from the parking lot to the concert area. There is an accessible restroom available directly adjacent to this lot. During the concert, the shuttle is stationed at the welcome tent and is available on request for transportation to the restrooms or the cars.
Additional Accessible Parking
There are a small number of accessible spaces along the hedges near the visitor center. This parking location is most convenient for people wishing to go to the visitor center, which features a timeline of Saint-Gaudens’ life, screening of the close-captioned park film, restrooms, and the park store. The visitor center building is air conditioned. The most direct path from this parking location to the concert area traverses a small brick pathway with uneven surfaces and involves three small sets of stairs (approximately 250 to 350 feet total distance). There is a longer path that follows accessible grades along an open mowed grass field and around the Little Studio (approximately 690 feet total distance).
Main Parking Lot
The main parking lot typically fills early during concert events. It features an accessible-grade path towards the park facilities, which then crosses Saint-Gaudens Road (look for traffic), and a moderate slope up to the visitor center (total distance of 662 ft on hardpack and paved surface). There are accessible restrooms directly adjacent to the parking lot, accessed by a wooden, accessible-grade ramp. The most direct path from this parking location to the concert area at the Little Studio includes crossing Saint-Gaudens Road, and navigating a set of stairs (7 steps) and traversing a slightly sloping mowed grass field (total distance approximately 430 ft).
Upon arrival on a concert Sunday, visitors should stop at the white welcome tent on the lawn west of Aspet and south of the Little Studio to pay the entrance fee or show a pass.
The standard entry fee is $10 per person and is valid for seven days. Kids age 15 and younger are always free and National Park and Federal Recreational Lands Passes including American the Beautiful Senior Passes are honored. Visit Fees & Passes to learn more.
Sunday Concerts are supported by the Saint-Gaudens Memorial, and paid for through sponsorships, grants, and private donations. There is presently no additional cost to attend concerts beyond the park entrance fee.
Most concerts take place in the Little Studio, or on the adjacent outdoor pergola. There is a large expanse of lawn, as well as formal gardens, in front of the performance area. Evergreen hedge walls define the north edge of the concert area, and a handful of apple trees dot the grounds. Visitors are welcome to sit in any of the park’s public outdoor spaces during the concert.
Folding chairs are set up inside the Little Studio, as well as outside on the pergola. These seats are available on a first-come-first-served basis, and may fill up well before the concert begins at 2pm. Concert-goers are also welcome to bring blankets or lawn chairs and set up on the park grounds. Shade is limited. Come early for the best choice of seating options, and be prepared for sun or rain in the less sheltered sections of the concert area.
Accessible Seating
A number of chairs are reserved for visitors with accessibility needs. These seats are located both inside the Little Studio (when concerts take place within the building) and outside on the Pergola. They are clearly labeled with the accessibility symbol. Though reserved for visitors with accessibility needs, the seats are first-come, first-served.
The concert begins at 2pm with announcements from the National Park Service and the Saint-Gaudens Memorial, followed by the musical program. Somes concerts have an intermission and most end around 4pm.
Many concert-goers arrive at the site several hours early to enjoy the gardens, sculptures, and historic buildings. Others come early to picnic on the grounds, or secure a seat close to the musicians.
The park does not offer any food or beverage services, but visitors are welcome to bring their own food and beverages to picnic on the park grounds. Consuming food is not permitted on the West Porch of Aspet, inside the Little Studio, or in any other gallery or historic building space to protect these important cultural resources.
Drinking Water
Water is available to the public at the visitor center, where there is a drinking fountain/water bottle filling station. Additionally, there are water coolers on the pergola of the Little Studio. Visitors are encouraged to bring their own water and other drinks, as there are no pre-packaged beverages available for purchase on site.
Alcohol
Visitors may bring alcoholic beverages for personal consumption in alignment with state and federal laws. Underaged drinking or drunk and disorderly conduct will result in the park calling local law enforcement.
Pack-in/Pack-out
We encourage concert goers to practice pack-it-in/pack-it-out picnicking during concerts. Please plan to remove all trash and recycling and dispose of it in appropriate facilities off-site.
There are three public restroom locations at the site:
At the Visitor Center. The visitor center offers fully accessible restrooms and is located approximately 150 to 250 feet from the accessible parking area or approximately 500 feet from the Little Studio via a small brick pathway with uneven surfaces and three small sets of stairs.
Adjacent to the main parking lot. A restroom using composting toilets is located immediately adjacent to the main parking lot, and is accessible via a wooden ramp. (See directions to the main parking lot above.)
In the lower field parking lot, where most concert visitors park. The restroom is just west of the parking area, and is a single, accessible porta-let.
During the concert, the shuttle vehicle is stationed at the welcome tent near the Little Studio and is available for transportation to the lower field restroom or the cars.
The Cornish Rescue Emergency Medical Services team is present at most concerts. They are stationed at the West Porch of Aspet, are in communication with park staff, and will respond to any medical incidents that arise.
Pets, defined as dogs, cats, or any other animal that has been domesticated, are prohibited from entering any historic buildings, including the Little Studio. During concerts, they are not permitted in the seating area of the Pergola, for the safety of other visitors. Pets that cause disturbance during the performance (such as excessive barking) must be removed from the concert area. At all times, pets must be restrained by a fixed leash of no more than 6 ft, and under the control of their owners. Pet excrement must be picked up immediately, placed in a containment device, and disposed of properly in a trash can or removed from the site.
Service animals, defined as animals that have been individually trained to do work or perform tasks for an individual with a disability, are exempted from the above access restrictions for pets, and may accompany the individual they are serving wherever they go on site.
Unless stated otherwise during pre-concert announcements (due to artist restrictions), still photography is permitted during concert performances. Filming or audio-recording of concerts is prohibited.
For the safety and concentration of performers, and for the experience of other visitors, no flash photography is permitted and only silent-shutter camera systems should be used. For some concerts, barriers may be set up in the Little Studio or on the Pergola in order to establish a performance space. Musicians, technical staff, and uniformed NPS representatives only are permitted beyond these barriers. We ask that visitors do not cross the barriers at any time, and that visitors seated in the Little Studio and on the Pergola minimize the frequency with which they stand up and move around during the concert.
The Saint-Gaudens Memorial is committed to honoring its performance calendar. Within safety parameters, performances will take place in all weather, rain or shine. Concerts may be cancelled in a severe weather event either due to extreme heat or thunderstorms.
Extreme Heat
Concerts will typically proceed as planned on hot days. We ask concert-goers to consider their own comfort and safety when deciding whether to attend a concert when the temperature is high. There is limited shade in the concert area, and the only public building with air conditioning is the Visitor Center. Visitors who choose to come on hot days should be mindful of drinking water and maintaining a healthy electrolyte balance. Hats, loose and light clothing with ample skin coverage and/or application of sunscreen are recommended on all concert Sundays to protect against UV radiation from the sun. The park will cancel a concert if the forecast calls for a heat index over 100 degrees Fahrenheit. Please call the park the morning of the concert to check on the cancellation status before starting your journey at 603.675.2175. Cancellation information will also be posted on the park’s Facebook feed.
Thunderstorms
“When thunder roars, go indoors.” If lightning with audible thunder is observed in the area of the concert, we advise visitors to seek shelter immediately. Visitors should proceed into the Little Studio, the Visitor Center, or return to their cars.
There are no refunds, exchanges, or rain checks given if the concert is cancelled mid-performance due to a weather event.
Information regarding accessible parking, restrooms, and seating is outlined above in each of the relevant sections for the benefit of all visitors. If you have any additional questions about accessibility at the park, please contact us at (603) 675-2175.
Past Seasons
Chantil Dukart and the Dukes of Art Jazz funk pianist and vocalist with roots in the Tsimshian and Sugpiaq tribes of Alaska
Adrienne Taylor An exploration of classical cello and piano works
Fischers and the Jennings Classical works for violin, piano, and cello
Khumariyaan “The Intoxicators,” transfixing, hyper-folk quintet from Pakistan
Garifuna Collective Music and stories rooted in the traditions of the Garifuna from Belize
Ida Mae Specker Traditional and original music by 3rd generation VT fiddler and songwriter
20th Annual Rosamond Edmondson Memorial Concert featuring Virgina Eskin Brahms Horn Trio and chamber music for piano and horn
The Villalobos Brothers Mexican fiddling trio on Family Picnic Day
Kinan Azmeh and Dinuk Wijeratne
Acclaimed composers and performers with music at the intersection of classical, jazz, and south-Asian elements
The Villabobos Brothers
Groundbreaking Grammy-winning Mexican fiddling trio and their band
Jennifer Sgroe
Classical and Contemporary music for soprano
The Fischers and the Jennings
Classical works for violin, piano, and cello
Ensemble Chaconne
Baroque music masterpieces and newly discovered works played on period instruments in the 19th Annual Rosamond Edmondson Memorial
The Shul Band of NY
Exuberantly virtuosic Jewish music from Klezmer to Kashmir
Myra Flynn
Vermont indie/soul singer and songwriter
Mamadou Diabate and Percussion Mania
Family Picnic Day with West African music for balafon, djembe, vocals, and band
Garifuna Collective
World music group from Belize, with music and stories rooted in the traditions of the Garifuna
Family Picnic Day with Celtic & American Traditional Roots Music
Jeremiah McLane, accordion/piano; Eric Boodman, fiddle/foot tapping; and Andrew VanNorstrand, vocals/guitar
The Fischers and the Jennings
Classical works for violin, piano, and cello
Larry Nowlan Memorial Concert featuring Songs of Freedom with Duo Mundo
José Lezcano, guitar; Rebecca Hartka, cello performing works by Piazzola, Lezcano, and more
Frank Platt Memorial Concert featuring the Fully Celebrated Orchestra
Jazz quintet performing original works by composer Jim Hobbs, with special poetry from the Platt family
Ensemble Schumann
Thomas Gallant, oboe; Steve Larson, viola; Sally Pinkas, piano with works by Beethoven, Bruch, White, and more
18th Annual Rosamond Edmondson Memorial Concert featuring Virginia Eskin, piano
An exploration of Ragtime: from Jagged to Graceful
Layale Chaker and Sarafand
Music at the intersection of classical, jazz, Arab, and improvised
