Beatrix Farrand

Acadia National Park

Beatrix Farrand
Beatrix Farrand, 1943

The Cultural Landscape Foundation

Quick Facts

Significance:
Landscape gardener of Acadia's carriage roads
Place of Birth:
New York City, NY
Date of Birth:
June 19, 1872
Date of Death:
February 28, 1959

Growing Acadia

"Her most significant project was working with John D. Rockefeller Jr. on preserving and beautifying the carriage roads in the park. Impressed with her abilities in orchestrating work on the gardens at The Eyrie and her passionate interest in native plants, Rockefeller engaged her to consult on the roadside plantings in the park. They spent afternoons driving along the roads and inspecting the plantings. She injected quantities of native plants in naturalistic groupings so that they looked as if they had always been growing there, sometimes moving clumps from one location in the park to another. In all, sixty varieties of trees, shrubs, and perennials were used, and most of them were native to the island. The plantings remain one of Farrand's most significant legacies in Maine."

Judith B. Tankard, Beatrix Farrand: Private Gardens, Public Landscapes (The Monacelli Press/Random House, 2009).

 

Biography of Beatrix Farrand (from The Cultural Landscape Foundation)

Beatrix Farrand was one of America’s most celebrated landscape architects, renowned for the private estate gardens she designed for East Coast society as well as her work as a landscape consultant at some of the country’s most prestigious private universities and colleges. Dumbarton Oaks, the Abby Aldrich Rockefeller Garden (Maine), and the old campus at Princeton University are among her most visible masterpieces today. To this list several recent landscape restorations help enhance our understanding of this important early design professional.

Variously hailed as “the Gertrude Jekyll of America” and “the doyenne of the profession,” Farrand owed her success to her unerring eye for design, profound knowledge of horticulture, and deep commitment to her profession that inspired others to follow in her footsteps. She was influenced in particular by André Le Nôtre, whose grand parterres inspired many of her designs; William Robinson, who popularized naturalistic gardening; Gertrude Jekyll, who revolutionized the art of planting; and Charles Sprague Sargent, who first opened her eyes to horticulture and design. She was famous for her complex flower borders as well as her advocacy of native landscapes and plants, which she wove into a classical design framework. In her university work, she championed the concept of vertical gardening, pinning shrubs and climbers to walls to save space, and the selection of plants that would provide interest during the school term. Her landscapes always showed restraint, and many lasted as long as they did because of her vigilance about maintenance.

During her fifty-year career, Farrand received more than two hundred commissions, mostly from Old Guard families from New York, Philadelphia, and Boston. In addition to work for private clients, Farrand also established a landscape study center at Reef Point, Maine, where students benefited from demonstration gardens, a herbarium, and an extensive reference library that she had assembled over many years. Farrand’s gift of her professional papers and collections to the University of California, Berkeley, in 1955 set a precedent among other landscape architects to similarly value their work. It is that collection of material that has enabled the continuing study of her career and inspired the restoration of several of her gardens.

In 1915, Farrand was asked to assist in designing a large rose garden for public enjoyment at The New York Botanical Garden. Up until that time, her commissions had included several residential rose gardens, but nothing on the scale envisioned by the botanical garden. Farrand followed the natural lines of the topography—a natural bowl formed by a former pond—to produce an asymmetrical triangular configuration of approximately one and a quarter acres, surrounded by iron lattice fencing. The project, a collaboration with the Horticultural Society of New York, reached the planting stage, but the fencing and ornamental features were not completed until 1985, when the garden was renamed the Peggy Rockefeller Rose Garden. In 2007, the garden underwent a major renovation that brought the collection of roses into the twenty-first century under the direction of a new garden curator, with 600 varieties of plants representing both historic and modern roses.

The recently renovated gardens for the Edward and Mary Harkness summer estate near Waterford, Connecticut, present an excellent example of Farrand’s mid-career work. Now known as Harkness Memorial State Park, Farrand began her work here in the early 1920s, around the time she was working on Dumbarton Oaks, several Long Island estates, and campus consultations at Yale and Princeton. Some of the grounds had originally been laid out by Wayne E. Stiles of Brett and Hall. In addition to replanting the existing Italianate garden, Farrand created several new gardens, mainly an East garden with an Asian theme, an alpine rock garden, and a boxwood parterre. The garden restoration, which was initiated by a volunteer group, is now under the direction of the State of Connecticut.

Farrand’s gardens at Bellefield, The New York Botanical Garden, and Harkness Memorial State park are all open to the public and provide insight into her diverse design skills. Her final legacy, however, is the ongoing restoration of a small, personal garden she designed for herself at Garland Farm, her last residence, in Mount Desert, Maine. After the loss of Reef Point in 1955, due to financial issues, Farrand moved to Garland Farm to spend the remaining years of her life. Now the headquarters of the Beatrix Farrand Society, Garland Farm is presently restoring her gardens—a formal flower garden and an Asian-inspired garden—as well as establishing the educational center with a library and archives that Farrand envisioned at Reef Point.

References

Judith B. Tankard, Beatrix Farrand: Private Gardens, Public Landscapes (The Monacelli Press/Random House, 2009).