NATIONAL PARK SERVICE
Gaslighting in America
A Guide for Historic Preservation
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PLATES
Various fixtures in Accum's treatise on gaslighting, London, 1815. |
Plate 1 |
No record of gas fixtures made in the United States
before the late 1830s has been found. Until ca. 1840, it appears that
gas fixtures used in America were imported from England and, to some
extent, France.
The earliest illustrations of gas fixtures are
probably those published in 1815 by Rudolph Ackermann, the London art
dealer and publisher of books and prints, as embellishments of Fredrick
Accum's Practical Treatise on Gas-Light. Represented here are
fixtures "already in use in this Metropolis." [1] From left to right, they are described as 2)
"Rod Gas Lamp with branches," 5) "Pendent Double-Bracket Lamp," 1) "Rod
Lamp," 4) "Pendent Rod Lamp," 6) "Swing Bracket Lamp," 3) "Bracket
Lamp." Except for figure 8 (right center), a "Swing Cockspur Lamp," the
burners shown appear to be of the Argand type. It is worth noting that
the terms "bracket" and "pendent" persisted in use, although "rod" types
were soon referred to as "pillar."
Also around 1815, Ackermann published an aquatint by
J. Bluck after a watercolor by Augustus Pugin (not reproduced here)
showing possibly the earliest view of a gaslighted interior, Ackermann's
Art Library. [2]
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Reprinted from Fredrick Accum, A
Practical Treatise on Gas-Light, London, 1815, Plate 3, courtesy of
American Gas Association, Inc. Library, Arlington, Virginia. (click on image
for a PDF version)
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Ornamental fixtures in Accum's treatise on gaslighting, London, 1815. |
Plate 2 |
It is sometimes fallaciously thought that early gas
fixtures were simple, even primitive, in form and that ornamental
fixtures are therefore comparatively late in date. This plate from
Accum's Practical Treatise on Gas-Light of 1815 clearly proves
otherwise. "The gas-lamps exhibited in this plate, are employed in the
library, counting-house, warehouse, and offices of Mr. Ackermann. [3]
On this plate, figures 1 through 8 are described respectively as "a
Candelabrum, an Arabesque Chandelier, a Roman Chandelier, a Gothic
Chandelier, a Pedestal Figure Lamp, a Pedestal Vase Lamp, a Girandole,
and a Candelabrum." Observe that as early as 1815, the eclectic taste so
characteristic of the 19th century already embraced "Arabesque, Roman,
and Gothic" designs. With the exception of the cockspur at the top of
figure 1, all the burners are of the early type termed "rat-tail" (see
plate 3). These fixtures were finished in greenish-bronze and
highlighted with gilding.
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Reprinted from Fredrick Accum, A
Practical Treatise on Gas-Light, London, 1815, courtesy of American
Gas Association,Inc. Library, Arlington, Virginia. (click on image
for a PDF version)
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Gas burner types developed by 1820. |
Plate 3 |
Five of the six types of burners in use by ca. 1820
are shown here, the sixth in plate 4. The cockspur and the cockscomb
were wasteful and inefficient and soon fell into disuse. The rat-tail
continued in use primarily in a modified form designed for burners
imitating candles. The batswing burner, used for street lamps and other
outdoor illumination, and the fishtail burner were, except for gas
candles, the almost universally used forms of burners until the
introduction of the Welsbach mantle for general use in 1890. [4] The
batswing burner had a domical top pierced by a narrow slit across it.
The fishtail, or union jet, burner was apparently invented by the
Scotsmen James Neilson and James Milne.[5] It was so designed that two
jets of equal size impinged on each other to produce a flat flame
issuing from a single small aperture. The tops of fishtail burners were
usually slightly concave and were pierced by a small central hole.
Very short lengths of pipe with either fishtail,
batswing, or rat-tail burners were termed "scotch tips."
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Reprinted from Dean Chandler,
Outline of History of Lighting by Gas, London, 1936, courtesy of
American Gas Association, Inc. Library, Arlington, Virginia. (click on image
for a PDF version)
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Burners from unidentified English catalogue, ca. 1820-1830. |
Plate 4 |
This illustration and the following eight plates are from a series of 69
unidentified British engravings of lighting fixtures dating around
1820-1830. [6] The burners with the ornamental galleries, multiple holes,
and hollow centers operated on the Argand principle, producing a
circular column of flame with air at the center and around the
periphery. The Argand gas burner, the sixth type in use early in the
development of gaslighting, does not appear to have been used
extensively in the United States, although it was popular in England for
interior illumination as late as the 1840s. It required the use of a
glass chimney, whose drawbacks were frequent breakage and the constant
need for cleaning. The crown-like galleries shown here were supports for
these chimneys.
The burners with the slitted tops are batswing; those
with the single holes, here termed "jet" burners, are probably fishtail,
or union jet burners. Early burners, whether of iron or brass,
frequently clogged because of corrosive impurities in the gas. Suppliers
furnished small augers, narrow slips of brass, and small saws to clear
burners. After the introduction of the steatite, or "lava," burner tip
in 1858, clogging became less of a problem. These noncorroding tips,
invented by M. Schwarz of Nuremburg, were made of a variety of Bavarian
soapstone which had been subjected to slowly increased heat and
subsequent boiling in oil. Schwarz was granted an American patent on
July 20, 1858. [7]
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From the Library of Congress, Prints
and Photographs Division, Lot 2728. (click on image
for a PDF version)
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Gas cocks from unidentified English catalogue, ca. 1820-1830. |
Plate 5 |
This plate from the before-mentioned series of
unidentified British engravings shows clearly the pin and partial collar
safety device which prevented the gas cocks from being turned too far
and unintentionally left on. After it was discovered that the pins
provided insufficient security against accidental breakage and
consequent asphyxiation, threaded cocks that precluded all possibility
of leakage were frequently used.
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From the Library of Congress, Prints
and Photographs Division, Lot 2728. (click on image
for a PDF version)
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"Pillars" from unidentified English catalogue, ca. 1820-1830. |
Plate 6 |
This plate shows that so-called "pillar" fixtures
and, more significantly, jointed branches were already in use during the
1820s. Jointed branches continued in use until the end of the gas era,
particularly in bedroom fixtures. Their flexibility was particularly
advantageous where light was desired in close proximity to mirrors.
Jointed branches were also used near desks, or wherever light was needed
for close work.
Most of the burners shown in the unidentified British
engravings dating from ca. 1820-1830 are of the Argand type, and have
the characteristic straight, tubular chimneys necessary for the Argand
burner, but do not have shades. A manuscript page preceding the series
notes that "articles may be had bronzed to order at the same price as
lacquered," indicating that the principal finish was probably burnished
brass, which required lacquer to prevent tarnishing.
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From the Library of Congress, Prints
and Photographs Division, Lot 2728. (click on image
for a PDF version)
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Brackets from unidentified English catalogue, ca. 1820-1830. |
Plate 7 |
These wall brackets, like the chandeliers illustrated
on plate 2, show both the elaborateness of early gas fixtures and the
eclectic stylistic character of their design. The uppermost bracket had
traces of Baroque influence, although the foliate motifs were
neoclassical in manner. The second bracket was based on architectural
elements of the Gothic style rather than on any actual medieval
prototype. Note that this fixture was iron and was probably gilded,
whereas the other branches were probably brass. The serpentine bracket
was typical of Regency taste in its least classical and most fanciful
manifestation. Fantastic winged creatures appeared as late as 1856 in an
American catalogue on bracket branches, and a bracket was designed in
the form of a rattlesnake as late as 1859. [8]
The foliate bracket at the bottom of the plate was throughly Greek
Revival in the anthemion (honeysuckle) motif. The ball joints of all
these brackets indicate that they were designed to swing from side to
side.
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From the Library of Congress, Prints
and Photographs Division, Lot 2728. (click on image
for a PDF version)
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"Pendant gaselier" from unidentified English catalogue, ca. 1820-1830. |
Plate 8 |
The term "pendant" used in the text of this plate
was, by the 1840s, applied only to fixtures having one or two lights.
"Chandelier" or "gaselier" (also spelled "gasolier" or "gasalier") were
used interchangeably for fixtures having three or more lights until the
1860s, when "chandelier" ultimately prevailed in common usage.
The slack chains of the pendant shown here were
ornamental, not functional. Such chains were frequently used to decorate
gas fixtures until the mid-1850s and were characteristic of gaselier
design until about 1850. This 1820s example is severely neoclassical in
design compared with fixtures of the late 1840s and 1850s. Note that
more branches could be added and that the span of 36 inches could be
reduced to about 28 inches.
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From the Library of Congress, Prints
and Photographs Division, Lot 2728. (click on image
for a PDF version)
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Water seal gaselier from unidentified English catalogue, ca. 1820-1830. |
Plate 9 |
This plate provides evidence that water-seal gaselier
which could be raised or lowered, were available as early as the 1820s.
Gas had several advantages over oil lamps and candles, among them
greater safety from fire, less smoke, and no grease or oil spills. But
it had one real disadvantagelack of portability. To overcome that
disadvantage, numerous ingenious devices were designed such as the
jointed extensible branches depicted on plate 6; and here the water seal
at the top of the outer sliding stem permitted the raising or lowering
of a gaselier without danger of gas leakage. A film of oil prevented
rapid evaporation of the water.
In later examples, the counterweights were suspended
from pulleys attached directly to the outer stem, omitting the extra set
of pulleys fastened to the ceiling as shown in this plate.
Movable suspension chandeliers such as this were
frequently used where light was desired close to a table. Hence, they
were often used in dining rooms or over library or parlor center tables.
However, there was no strict rule regarding their use. There is at least
one documented instance of the use of chandeliers over the aisle, where
there were no tables, between the bar and the dining booths in a St.
Louis oyster saloon. [9]
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From the Library of Congress, Prints
and Photographs Division, Lot 2728. (click on image
for a PDF version)
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myers/plate1.htm
Last Updated: 30-Nov-2007
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