The goal of this concept, like concepts 2 and 3, is to supply a base of information for implementation of section 1104 of the Delta Initiatives legislation which calls for recommendations for establishing a Delta music program with heavy emphasis on the blues. A commemorative area configuration would utilize the existing system of state welcome centers to introduce visitors to the history of the blues and would direct them to sites/resources important to the development of the blues. This would enable visitors and residents to better understand the connections between the landscape, the culture of the Delta, and most importantly, why the blues originated in the Delta.
Often perceived as flat and monotonous, the Delta is a place of powerful, fickle rivers that have shaped both the area’s physical environment and its cultures. Over time, they have created a mosaic of landscapes and rich soil capable of nurturing majestic forests and huge harvests of cotton and other agricultural products. Yet the Delta remains a paradox: a land of natural wealth harboring poverty. It is a strongly separate place from the rest of America. In few other areas have the tensions characteristic of Southern society been more obvious between people and the natural world, between white and black people, between rich and poor.
To understand the blues, one must understand the Delta, must feel the Delta’s oppressive heat, see the cotton fields, and grasp the poverty. The stimulating physical environment of storms, floods, hurricanes, extreme heat, and drought, bringing destruction, change, and renewal, served as a catalyst to the imagination and the development of the blues. People who sang and played the blues were tenant farmers and sharecroppers, not plantation owners.
The blues were developed by people engaged in struggle, infused with spirit and speaking in dialect. Rooted in African music, the blues were songs of hope, born out of work and out of sorrow: from rhythmic work chants of railroad gangs and cotton pickers; from spirituals; from slave songs; and from the haunting and lyrical field hollers. It is said that misery produces creativity and resiliency. The blues tells stories of frustrated love, broken homes, and other miseries of displaced people. It is considered one of the most important root sources of modern popular music.
The Delta is the birthplace of blues artists such as Henry Sloan, Charley Patton, Robert Johnson, Tommy Johnson, Sonny Boy Williamson, Eddie "Son" House, Mississippi John Hurt, John Lee Hooker, "Big Bill" Broonzy, Muddy Waters, Albert King, and B.B. King to name just a few. These artists and many others who developed their unique style of Delta blues have influenced today’s blues artists and brought a deeper appreciation of the blue’s influence on modern music.