The Son of West Branch, America's Great Humanitarian: An Aural Memoir
Award-winning radio drama by Dr. William Wayne Anderson, performed and recorded at the 2011 National Audio Theatre Festivals.
- 39 minutes, 23 seconds
- Credit / Author:
- Dr. William Wayne Anderson
- Date created:
By William Wayne Anderson
MUSIC: DRAMATIC MUSIC UP AND UNDER
NARR: Hail Columbia. Our land of freedom and opportunity. Their futures lying uncast, each man born to shape and mold his own destiny. Fate left unchecked, the mettle of the man weaves a fabric of tiny moments into the tapestry of a life well spent or squandered.
MUSIC: SEGUE TO MORE PENSIVE MUSIC
NARR: Greatness forged from the fire of choices and tempered in resolve of betterment for the brotherhood of mankind brings us to the threshold of a modest cabin on the Iowa prairie.
SFX: SEGUE TO WIND SOUNDS OUTSIDE
NARR: The year is 1876.
Act I: The sick little boy
SFX: SEGUE TO SOUND OF CHILD COUGHING
TAD: Ma, Bert looks so sick. Why is he coughing so much? Will he be getting’ better soon?
HULDA: No, Tad. Looks like the croup still has its hold on him.
TAD: Poor Bert. Wish we could make him better.
SFX: SOUND OF KETTLE BOILING
HULDA: The kettle calls. If we give him a bottle of something warm, it might help loosen up that cough.
SFX: SPOON IN TEACUP AND POURING OF WATER
SFX: HERBERT COUGHS SOME MORE
TAD: It’s not fair that Bert’s so sick. He’s only two.
HULDA: That’s just like the croup. When you get older like you, Tad, there isn’t much croup to get.
TAD: But Bert’s gonna be all right, isn’t he, Ma?
HULDA: I’ve sent for your Uncle John. He’s the best doctor around these parts. Other than that, we have to put our faith in God’s hands now. Now, Tad, I need you to watch Bert while I go out to the root cellar to get some beets for supper.
TAD: All right, Ma.
SFX: SOUND OF FOOTSTEPS WALKING AWAY AND DOOR OPENING THEN CLOSING
SFX: HERBERT COUGHING SOME MORE
TAD: There there, Bert. Have a bit more of this tea. That’ll make you feel better, won’t it?
SFX: SOUND OF MORE, STRONGER COUGHING AND BABY WAILING
TAD: What is it, Bert? What’s wrong? (yelling off mic) Ma! Ma! Come quick– something’s wrong with Bert!
SFX: SOUND OF FOOTSTEPS OFF MIC AND THEN DOOR SWINGING OPEN
HULDA: What is it, Tad?
TAD: (panicked) It’s Bert, Ma. I was giving him a drink of tea and then he started coughing and then he just kinda slumped over.
HULDA: Hand him to me, Tad, and listen carefully. Are you listening carefully, Tad?
TAD: Yes, Ma.
HULDA: Good. I want you to run as fast as you can over to the blacksmith shop and get Father. Tell him we need him right away. Do you understand?
TAD: Yes, Ma.
SFX: SOUND OF FOOTSTEPS RUNNING AND DOOR OPENING AND SLAMMING
HULDA: Heavenly Father, if it be Thy will to take my son, let it be so. But I pray Thee if it is not, bring him back to me.
SFX: SOUND OF DOOR BURSTING OPEN THEN TWO SETS OF FOOTSTEPS
TAD: I brought Pa, Ma! He’s right behind me!
JESSE: What happened, Hulda? Give the little general to me.
HULDA: John is on his way with his doctor’s bag, but it’s too late. He’s not breathing, Jesse.
JESSE: No, he is not. I’m afraid he is with the Lord now.
HULDA: Poor, poor Herbert. What will we do, Jesse?
JESSE: There is nothing more that can be done. He has slipped off the mortal coil of this world and moved on to the next.
HULDA: Oh Jesse. He was so very young.
JESSE: Pull this sheet up over him to give him his rest.
SFX: DOOR OPENING AND FOOTSTEPS APPROACHING
JOHN: I came as soon as I could. Where is the boy?
HULDA: (weeping) Oh John. I fear you are too late. We have pulled the sheet over the little general.
JOHN: No! As a doctor, I must see for myself. How long has he been gone?
TAD: It just happened a minute ago, Uncle John. But look at his color! He is gone for certain.
JOHN: Have some faith, boy! All may not be lost. I may perhaps pull him back from the great divide. Now uncover him.
SFX: SOUND OF SHEET BEING THROWN BACK
JOHN: Breathe, boy – breathe!
SFX: SOUND OF SHAKING OF BODY
SFX: SOUND OF TAD GASPING
JESSE: Good Lord, man! Have you no respect for the dead? Hulda – tell your brother to leave his poor body in peace!
JOHN: Unhand me, Jesse. Hulda, tell your husband to unhand me! It is the boy’s only chance.
HULDA: Please, Jesse. John is a doctor. We must place our trust in him and our faith in the Lord.
SFX: SMALL COUGHING SOUND THEN LIGHT WHIMPERS
HULDA: Merciful heavens! The boy is breathing!
JOHN: He is back with us — at least for now.
JESSE: Praise God – you have saved him.
TAD: You did it, Uncle John! You saved my brother! (to Bert) You hear that? You’re going to be okay, Herbert!
HULDA: Our son will grow up to be a great man. God’s blessing is on the Hoover house this day!
SFX: EXCITING MUSIC STING UP AND UNDER
Act II: Westward Adventures
SFX: SEGUE TO SOUND OF TRAIN CHUGGING SLOW SOUND BUILDING
NARR: Nine years later, a world had changed for young Herbert Hoover. Now but eleven years old, we find him at the end of a journey across the country to a new home.
SFX: SOUND OF TRAIN WHISTLE BLAST THEN CHUGGING SLOW SOUND FADE
SISSY: I can’t believe we’re almost there! Won’t it to be nice to be back home, Toby?
TOBY: It sure will, Sissy. Des Moines was nice, but it was far too crowded for me.
SISSY: Well, it does have over twenty thousand people there.
TOBY: Why, that’s twenty thousand sets of encyclopedias that Father will be able to sell! We’ll be rich! (pause) Say, what are you looking at?
SISSY: That boy over there. He’s been riding by himself ever since we got on the train.
TOBY: That’s over three whole days! (whistles) Golly, I wonder where his parents are?
SISSY: Oh that poor little boy. He must be so scared. (pause) And brave.
TOBY: What do you mean brave? He doesn’t look any bigger than me, and I’m two years older than you are.
SISSY: Well, I’m going to go talk to him.
TOBY: You better not, Sissy Davidson. You know what Mother said about talking to strangers!
SISSY: Never you mind that, Toby. I’m just going to say hello.
TOBY: I’m going to go tell Mother!
SISSY: Oh poo to you. I’m going to go talk to him. (pause, then to Herbert) Hello there. My name’s Sissy. What’s yours?
BERT: Hello, Sissy. I’m Herbert Hoover, but most people call me Bert.
SISSY: Where are your mother and father, Bert? I haven’t seen them at all this whole trip.
BERT: My father died when I was six, and my mother got sick and died last year.
SISSY: Oh, that’s so awful! Are you all alone?
BERT: We had to split up our family. I am going out to stay with my Uncle John for a while.
SISSY: So you’re making this long trip all by yourself?
BERT: I know a family from West Branch that’s on the train, but they’re in another train car.
SISSY: My goodness! Do you have enough food?
BERT: I am fine. My aunt in Iowa sent me with a box of boiled eggs and sandwiches. And I still have the two dimes that she gave me for emergencies. And I have these.
SFX: SOUND OF CLINKING ROCKS
SISSY: Are those arrowheads? Where in the world did you get them?
BERT: I collected lots of them when I was staying with my uncle Laban Miles down in Oklahoma Indian country. The Indians taught me where all the best hunting and fishing spots were. One day I caught a fish that was (pause) this big!
SISSY: Gosh, that’s huge! (pause) Those arrowheads sure are pretty. May I hold one?
BERT: Sure you can, Sissy. This one is made from flint. (pause) And here’s my favorite. It’s carved out of obsidian.
SISSY: Obsidian? What’s that?
BERT: It comes from volcanoes.
SISSY: (somewhat taken aback) Volcanoes? Are there volcanoes down in Oklahoma?
BERT: (nonchalantly) There were a lot of them back a long time ago, but they’re not active anymore.
SISSY: Golly, Bert. You sure know a lot about rocks and minerals.
BERT: Being down in Indian country really got me interested in them.
SFX: TRAIN WHISTLE
SFX: SOUND OF APPROACHING FOOTSTEPS
TOBY: There she is, Mother – talking to that boy just like I said.
MOTHER: Now Toby. Stop trying to get your sister in trouble. He looks like a very nice young man. (to Herbert) Hello, young man. Are you on your way home from visiting out east?
BERT: No, ma’am. I am from West Branch, Iowa. I am going to stay with my Uncle John in Newberg.
MOTHER: Newberg? That is our next stop.
CONDUCTOR: (calling, fading in from off mic) Newberg! Next stop, Newberg, Oregon. (pause then fade off mic) Newberg! Next stop, Newberg Oregon. (fade out)
SFX TRAIN WHISTLE THEN SOUND OF TRAIN SLOWING
MOTHER: I can see the station coming from around the bend. You had better get your things together, young man. We’re almost there.
BERT: I appreciate your kindness and concern, ma’am. I have all of my things beside me in this satchel.
MOTHER: All of your worldly belongings in that one bag?
BERT: Yes, ma’am. But with my health and a full stomach, I have need for nothing else.
SFX: SOUNDS OF TRAIN SLOWING TO A STOP AND THEN SOUNDS OF PEOPLE MOVING AND TALKING INDISTINCTLY FADING OFF MIC
MOTHER: All right, young man. You had better get along. Good luck to you.
BERT: Thank you, ma’am.
SISSY: (calling ) Good bye, Herbert. It was very nice to meet you!
HERBERT: (fading off mic and into the indistinct crowd sounds) Good bye.
MOTHER: What a brave little man. May the Lord bless and keep him.
SFX: CROWD SOUNDS FADE OUT
SFX: MUSICAL STING UP AND UNDER
Act III: The college years
NARR: As the years passed, the Lord did indeed bless and keep our hero. Now ten years later, the years have changed the wayward orphan into a tall, and ruggedly handsome man. Rich in character if not worldly things, he takes an opportunity to enroll in the newly established Stanford University and make his voice heard in a world that had been previous closed to him.
SFX: REGAL ACADEMIC BELL TOLL IN BACKGROUND SEGUE TO SMALLER RINGING OF HAND BELL OFF MIC
MAN 1 (shouting off mic) Election day! Election day! Come on, you Stanford students! Make your voice heard in the Stanford University student body elections. (fading off mic then out) Election day! Election day!
SFX: FADE OUT SMALL HAND BELL
DITH: Afternoon, Martha.
MARTHA: Oh, hello, Edith. Have you voted in the student body elections yet?
EDITH: No, I just can’t decide. Last night at the mixer Wendell Tolliver tried to get me to say I would vote for him and the rest of his Sigma Alpha friends, but I just don’t know.
MARTHA: Those boys and their Greek fraternities! If you ask me, I think those rowdy mixers are the only thing those Sigma Alphas do care about. Why I heard that one last month went on until almost ten o’clock at night! Who knows how late they would have kept carrying on if the proper authorities had not been notified?
EDITH: Maybe we should vote for those non-fraternity people that won last year. What were they called – the Barbarian Party?
MARTHA: They couldn’t have come up with a more fitting name, if you ask me. Barbarians, indeed – they need to show respect for those who are worthy to lead.
EDITH: Well, that Herbert Hoover did do a good job as class treasurer. Remember how much debt there was before he got into office?
MARTHA: I know. How many times did he deny our social gathering reimbursement requests? That money could have been of great help to us.
EDITH: He was as fair with us as he was with anyone. He stated his belief that it wasn’t the student government’s role to finance our fun.
MARTHA: He’s just plain stingy if you ask me.
EDITH: Herbert Hoover might be stingy, but his wise money management brought the Junior Class budget back in balance for all of us.
MARTHA: Well, yes, but still – we need our leaders to be from a certain – ahem – social class. Not only aren’t Herbert and his friends even (emphatically) in a fraternity, but they make a big joke out of it by calling themselves the Barbarians. (dismissively) Barbarians, indeed.
CHARLES: Did I hear you ladies talking about our esteemed class treasurer, Herbert Hoover?
MARTHA: Oh, hello, Charles. You ought to know that it isn’t polite to eavesdrop.
CHARLES: Oh, well then, I suppose neither of you would be interested in hearing a little tidbit that I overheard about Herbert at the baseball field.
EDITH: Oh, Charles. You are so awful! How can you tease us like that? Please tell us.
MARTHA: Yes, Charles. Please.
CHARLES: Well, all right – if you insist. Well, I’m sure you know about the important visitor who was on campus yesterday.
EDITH: Of course – everybody knows that former president Benjamin Harrison was here to deliver another of his Constitutional Law lectures.
MARTHA: But what does that have to do with Herbert? I know he wasn’t able to come because he was managing the baseball team at the time.
CHARLES: Well, after President Harrison was done with his lecture, he went down to the baseball field to take in the game. And he walked right through the gate without paying.
EDITH: Well, no one would expect a former president of the United States to have to spend twenty five cents to buy a ticket to watch a Stanford baseball game.
CHARLES: Most people, maybe, but not Herbert – as team manager he’s responsible for all the gate receipts.
MARTHA: No, you don’t mean…
CHARLES: That’s right – he marched right up to Mister Harrison and…
EDITH: He had the nerve to approach the former president of the United States and ask him to buy a baseball ticket? I don’t believe it!
MARTHA: What happened? You must tell us, Charles! What happened?
CHARLES: Well, I wouldn’t have believed it either if I hadn’t seen it with my own eyes, but right there and then, President Harrison handed Herbert a whole dollar and said he’d not only pay for his own ticket, but that he’d take three more to boot!
EDITH: My goodness! Can you imagine how brave Herbert had to be?
MARTHA: Brave nothing – that sounds like nothing more than pure cheek to me. The gall of that man!
CHARLES: Well, all I know is that anyone who believes that much in having everyone pull their fair weight has my vote.
EDITH: He certainly sounds like the man for me.
MARTHA: Why Edith Stafford – bite your tongue! Mooning over a man like Herbert Hoover – have you no shame? Anyway, I hear that another woman has caught his eye of late.
EDITH: Surely you don’t mean that awful tomboy Lou Henry?
MARTHA: Shh…I wouldn’t let her hear you say that. I’ve heard she can run, rope, and ride as well as any man around. She would make quick work of you if she heard you talking like that about her.
EDITH: Oh poo. What could Herbert see in that old tomboy, anyway?
MARTHA: Well, the way I heard it, he’s been smitten with her ever since they met at the geology soiree at Professor Johnson’s house.
CHARLES: My housemate Tyler Spenceton said that they were lab partners last spring.
EDITH: Enough already. You have both made your point crystal clear. But that’s not
going to stop me from voting for him today. He’s the best man for Stanford!
SFX: TRIUMPHANT PATRIOTIC MUSIC UP AND UNDER FOR FIVE SECONDS
Act IV: Engineering opportunity
NARR: Now, a man of letters, follow our protagonist as he opens the door to the wider world. Our scene is a large opulently decorated office. A well-dressed, powerful-looking man hunches over his elegant desk in keen concentration.
BEWICK: (to himself in concentrated fashion with English accent) Red thread over the hook. Black thread under….
SFX: KNOCK ON DOOR
BEWICK: (gruffly) Yes? I had asked not to be disturbed. My train leaves at three.
SFX: SOUND OF DOOR OPENING
SECRETARY: Mr. Bewick, sir. I am sorry to interrupt the preparations for your fishing trip, but a Mister Hoover is here to see you about the overseas position.
BEWICK: Blast it. A man gets so little time for relaxation. (pause) Very well. Send him in. The sooner I can send him on his way, the sooner I can get back to finishing tying this fly.
SFX: SOUND OF FOOTSTEPS THEN CLOSING OF DOOR
BEWICK: Yes, my good man? Make it short – a fishing junket is waiting for me.
BERT: Good afternoon, Mister Bewick. I come about the engineering position within your overseas gold mining operations.
BEWICK: (starting to laugh derisively) Oh no, no. Certainly not. This will never do.
BERT: Pardon me, sir? I come recommended by my former supervisor Mister Louis (LOO-IE) Janin (JHAH-NIHN).
BEWICK: (laughing more openly) And might I inquire as to your age, sir?
BERT: Twenty-two, sir.
BEWICK: Indeed, I thought as much. It appears as though my old friend Louis Janin has put me up for some sort of practical joke.
BERT: Pardon me, sir? I am afraid I do not understand.
BEWICK: Of course you don’t, my lad, as it would appear that you are but a pawn in Louis’s elaborate prank. Evidently he took issue with my desire for an experienced gold mining engineer approximately thirty-five years of age with approximately seventy-five years of experience. (laughing) Ho ho ho. Tell me, son, how long have you had that awkward moustache?
BERT: I admit it is a recent acquisition, sir, but I am well capable for the position. Please, take a look at this.
SFX: SOUND OF RUSTLING PAPER
BERT: Louis sends this letter of introduction as to my credentials.
SFX: SOUND OF SNATCHING THEN UNFOLDING PAPER
BEWICK: Ahem. (pause) I see… (pause) Mister Hoover. I full well understand that you come highly recommended, but I asked him to send a man, not a boy. Now if you will excuse me, I need to get back to preparing for my trip.
BERT: Very well, sir. I certainly hope your mine management shows better foresight than your tackle larder.
BEWICK: (indignantly) I beg your pardon, my good man? Clarify yourself!
BERT: Well, I see from the trophies mounted on your wall your fondness for Coho Salmon.
BEWICK: Indeed, they are the royal monarch of the waters. I have commissioned the best guide in the in the northwest solely for this trip.
BERT: I thought as much. But might I ask as to why you seem to be tying Cedar River larvae files?
BEWICK: (proudly) You have a keen eye, young man. I have tied over a dozen of them myself under his advice. And at no small investment of time, I might add.
BERT: That is truly a shame, Mister Bewick, as the time for their molting was over four months ago. No fish worth his salt would give that fly a second glance. Are you sure that he instructed you to tie them?
BEWICK: Indeed, young man. I have his instructions right here.
BERT: Arriving in April. It appears that he is under the impression that you were to be there earlier in the year.
BEWICK: Well, that is when I had originally planned the trip, but then business delayed it until now. But, certainly, it shouldn’t make that much of a difference, should it?
BERT: Well, having been fishing salmon all across the county since I was three, I’d use a rolled Muddler minnow, but being such a young pup, what would I know? (pause) Well, I should be going now. Good luck on your trip.
SFX: FOOTSTEPS AND DOOR OPENING
BEWICK: Wait! (pause) Wait a moment, young man. Are you certain about this… this Muddler fly you mentioned?
BERT: As certain as I am that I could run your operations overseas. Oh well, it has been a pleasure, sir.
BEWICK: Now now, perhaps I was a bit hasty in dismissing your credentials, young man. My train is not scheduled to leave until three. Tell me more about your experiences with my dear friend, Louis. (pause) And perhaps along the way, we can touch a little bit more on how long would it take you to tie up a few of those flies before I have to leave.
SFX: LIGHT SPRIGHTLY MUSIC UP AND UNDER FOR FIVE SECONDS
ACT V: The loyal leader
SFX: SEGUE TO DARKER OMINOUS MARTIAL MUSIC UP AND UNDER
NARR: Nineteen fifteen. Years of successful and fruitful mine stewardship have allowed Herbert Hoover the means to shift his focus to the needs of his fellow man. There could be no better time for him to walk onto the world’s stage as The Great War has torn proud Europe in two. American involvement yet two years in the future, Hoover leaps to act when the fragile flow of foods to the innocent has been severed, threatening millions with slow and cruel starvation. Yet, to an end, the great humanitarian never wavered in keeping the interests of his countryman first and foremost in his mind.
SFX: SEGUE TO CALMER MUSIC THEN FADE OUT
NARR: Our scene begins on a warm fall afternoon in a small northern Minnesota town. An elderly woman sits quietly on her porch awaiting news from the outside world.
CHILD: Nana! Nana! The post is here! There’s a letter from Jules!
MOTHER: From Jules? Praise the Lord! Bring it to me, child.
CHILD: Here you go, Nana. What does it say?
SFX: SOUND OF ENVELOPE BEING TORN OPEN AND LETTER UNFOLDED
MOTHER: (read as voiceover) My dearest Mother. I regret the long time it has been since I last wrote to you. Mercifully, under the Lord’s watchful eye I have come to no harm here in the towns and fields of Belgium… (cross fade to Jules’s voice)
SFX: SOUNDS OF GUNS AND CANNON BLASTS IN THE DISTANCE
JULES: …despite the many well armed German forces we encounter on a daily basis. The eyes of the Belgian people, while still showing signs of hunger, have moved beyond the panicked and desperate horror that we encountered when we arrived in April on our way to distribute food to the needy. While the people owe their thanks to Mister Hoover, no one is more beholden to this great man than I, for it is my thought that he saved my very life. Worry not, dear Mother, for now I am safe from harm, but it is by this that I am so long in writing to you…
SFX: SOUND OF HARP LIKE MUSIC SIGNIFYING TRANSITIONAL SEGUE
SFX: SOUND OF SHARP RAP ON DOOR
SCHMIDT: Jah (YA)? Who is it?
AIDE: Herr Hoover is here to see you, mine Colonel.
SCHMIDT: Ah, undoubtedly about that Americaner spy we are holding. Send him in.
AIDE: Jawohl (YAH-VOHL), mine Colonel. (off mic) This way, Herr Hoover.
SFX: SOUND OF FOOTSTEPS APPROACHING AND THEN SOUND OF DOOR SHUTTING
SCHMIDT: Ah, Herr Hoover. What a pleasure it is we meet again. Please, have a seat. And what is the reason for this unexpected meeting?
HOOVER: You know damn well why I’m here, Schmidt. I have been informed that you have been holding one of my men for the past three days. I want him released this instant.
SCHMIDT: Herr Hoover, we agreed to allow you and your men behind the battle lines to distribute food to the Belgian people, not provide an avenue of information for our British enemies. We have reason to believe that the man we are holding is a spy.
HOOVER: (indignantly) A spy? Jules Olsen is nothing of the sort. Every man in this operation is here for one and only one reason – to provide relief supplies for the Belgian people. Each has signed an oath of neutrality that they have sworn to uphold. I stake my reputation as a gentleman on this! I demand he be released this instant!
SCHMIDT: I am not so certain that this can be done, Herr Hoover. My men found your man drawing sketches of our defenses in a very sensitive military area far away from the food distribution corridor. Here –
SFX: SOUND OF PAPERS THROWN ACROSS DESK
SCHMIDT: Take a look at these.
HOOVER: But these are simple drawings of buildings. How can you be so sure about them?
SCHMIDT: As a soldier in charge of my men’s lives I cannot afford to assume he is not a spy.
HOOVER: (calmly) But how can you be certain? Colonel Schmidt, I’m certain that we can be reasonable about this. Our men share the burden of being so young and so very far from their homes. Do you remember those days?
SCHMIDT: Jah, Herr Hoover. I remember.
HOOVER: Then you also remember that with that youth comes the mistakes of youth. War and espionage are old men’s games. Please, at least bring him to me so I may talk to him. If he proves to be a spy, I will wash my hands of him. If not, I ask you release him to me.
SCHMIDT: But Herr Hoover, upon how is this to be based? Solely upon your word?
HOOVER: Colonel, my word is my bond. In nothing do I put higher value.
SCHMIDT: Very well, Herr Hoover. Very well.
SFX: BUZZING SOUND OF INTERCOM
SCHMIDT: (off mic) Mueller, bring the prisoner to me!
AIDE: Jawohl, mine Colonel!
SFX: SOUND OF DOOR OPENING AND ENTRY OF FOOTSTEPS WITH CHAIN ACCENTS
AIDE: The prisoner as requested, mine Colonel.
SFX: SOUND OF DOOR SHUTTING
JULES: Colonel, as an American citizen I must protest this type of treatment I have received over the past…
HOOVER: It seems to me, Olson, that you would be wise to place more focus on listening than making demands.
JULES: Mister Hoover? Praise the Lord! But what are you doing here?
HOOVER: I would think the more pressing question, Olson, is what are (emphatically) you doing here? The Colonel here seems to think that you are a spy. (more aggressively) So, Olson, what is it? Are you a spy? Well… are you? Are you?
SFX: SOUND OF BANGING ON TABLE
HOOVER: Hundreds of thousands of dollars have gone into this relief operation. I will not have anyone jeopardizing the work we are doing! So out with it, man! Are you a spy or not?
JULES: (cracking) No, sir. I swear to you, I am not a spy!
HOOVER: Then what were you doing away from the rest of your company, man?
JULES: I was looking at the buildings and got lost, sir.
HOOVER: Lost? How could this be?
JULES: I have been studying to be an architect and I stopped to sketch out a design and when I looked I realized everyone had moved on without me.
HOOVER: Why would you bother drawing buildings in a war zone? Whatever could you have been thinking? You have work you should have been doing!
JULES: As I said, sir, I’m studying to be an architect and the buildings are so breathtaking. I’ve never seen any structure in Minnesota more than 100 years old — and those are cabins. Some of these magnificent structures date back to the middle ages. I had never seen such graceful use of angle and line. I…
HOOVER: If that were the case, why did you not tell the Colonel’s men when they captured you?
JULES: I tried, sir. But they were questioning me in German. I was so scared. Then after saying nothing, I didn’t think they would believe me.
HOOVER: There, Schmidt we have heard enough. This man is no spy. You may let him go.
SCHMIDT: Herr Hoover, I must protest! I cannot let this man go solely on your word.
HOOVER: You will let him go. The man is no spy. He is an American who is under my command. We have signed a pledge of neutrality. Our only goal is to feed the hungry and prevent them from starving. Without your cooperation we will pull up stakes and bring our operation to a close. Do you want the deaths of so many to be on your hands merely over a few meager sketches by a boy far from home? Or perhaps you have a means for feeding them? (pause) I am a very busy man, Colonel. I am afraid I haven’t the luxury to wait all day for your answer.
SCHMIDT: All right, all right. You win, Herr Hoover. I release him to you. (to Jules) To have such a protector…you know, you are a very lucky young man, do you not? A very lucky man, indeed.
SFX: HARP LIKE SEGUE BACK TO READING
JULES: Today we prepare to move out. This cruel war has assured that there will be many more hungry in need of feeding. But I, thanks to the brave intercession of Mister Hoover, am a free man. Mama, I owe my life to Mister Herbert Hoover. He is the greatest man I have ever met.
MOTHER: Lord, bless Mister Herbert Hoover. What a great man.
SFX: REGAL MUSIC UP AND UNDER FOR FIVE SECONDS
ACT VII The great Mississippi flood
SFX: SEGUE TO THUNDERCLAP AND THEN RAIN UP THEN UNDER
SFX: COUNTRY BLUES GUITAR (A LA SUN HOUSE/ROBERT JOHNSON) BED UP AND
UNDER WHILE MAN SINGS, IDEALLY WITH SCRATCHY RECORD SORT OF SOUND
SINGER: (semi-scatting) Well well well well
Well well well well
Well well well well
Well well well well
Come sits yours self on down…and a story I will describe
I say sit yours self on down…a great story I will describe
Bout a man come down and save us…save us from Mi’sippi tides
SINGER: Rain come fallin' down…fall down ‘pon Mississippi way
Say the rain come fallin’ down…fall down Mississippi way
Cruel water keep rising…pray ol' levy hold back that rain
SFX: SEGUE TO SOUND OF NEWS BROADCAST ON RADIO FADING IN
ANNCR: (read with rapid news announcer style) Dateline Cairo, Illinois: New Year’s Day 1927. Flood waters from the rain-engorged Mississippi washed over the walls of this Southern Illinois town. Mississippi River Commission engineers assured Secretary of Commerce Herbert Hoover that the levees in place would hold. In a brief statement given on his way to join President Coolidge for New Year’s supper, Secretary Hoover promised to keep a watchful eye on the issue.
SFX: RADIO FADE AND MUSIC FADE BACK UP
SINGER: Well, the men they come a callin’…say we need you sweat and blood
Yes, them men all come a callin’…tell we need some sweat and blood
Take a shovel to the shoreline… pray we can hold back the flood.
Come back the next morning…house and farm all washed away
Yes, I come back in the morning…house and farm be washed away
Mister Hoover give us shelter…little girls got safe place to stay.
SFX: SEGUE TO SOUND OF NEWS BROADCAST ON RADIO FADING IN
ANNCR: (read with rapid news announcer style) Dateline Greenville, Mississippi. In an epic battle of man against nature, thousands toil around the clock to fortify levees to hold back the raging floodwaters. Coordinating the efforts of the Red Cross and eight other relief agencies, Secretary of Commerce Hoover has assembled an armada of over six hundred relief ships and has organized vast tent cities for the tens of thousands of refugees. Recalling ironic shades of his work saving our war-torn European brothers from starvation a decade ago, Secretary Hoover stopped along the route on his way to the scene of the disaster to personally solicit aid from leaders in over ninety communities. On each stop his message was the same.
HOOVER: (filtered scratchy sound bite) A couple of thousand refugees are coming. They’ve got to have accommodations. Huts. Water mains. Sewers. Streets. Dining halls. Meals. Doctors. Everything. And you haven’t got months to do it. You haven’t got weeks. You’ve got hours.
SFX: RADIO FADE MUSIC FADE BACK UP
SINGER: Well, muddy water keep a rollin’…spitting dirt and silt and sand
Yes, dat muddy water keep on rollin’…leavin’ dirt and silt and sand
Water’s going back down Lord…sink back below the levee again
Well, I dreamed I saw old Noah…but I waved him right on by
Yes, I dreamed I saw ol’ Noah…but waved that ol’ boat right on by
No need to stop for me, friend…Mister Hoover stay by my side.
Oh oh oh oh well well
Oh oh oh oh oh.
SFX: FADE OUT GUITAR
ACT VIII : Return to West Branch
SFX: SOUND OF TRAIN CHUGGING AND WHISTLE OFF MIC
MAYOR: All right, the train’s coming – let’s try it one more time.
SFX: BRASS BAND PLAYING THREE BARS OF HAIL TO THE CHIEF
MAYOR: (shouting over din of band to quiet them) Okay, okay! That’s enough, boys – save some breath for when he gets here.
REPORTER: Mayor! Mayor! Can I get a few words from you for the public?
MAYOR: Ah, yes – Mister Cooper from the Register. I’m glad to see you still feel our little town is important to your readers in Des Moines.
REPORTER: Well, the eyes of the world are on West Branch today. What do you have scheduled for the candidate?
MAYOR: When the next president of the United States comes back to his home town, (emphatically) you don’t set the schedule – he does.
REPORTER: Oh come now, mayor – the election isn’t until November. What makes you think he is going to win?
MAYOR: Listen here – Herbert Hoover is the best man for the job. Bar none. And you can quote me on that. When Herbert Hoover sets his mind to a problem, things get solved. I don’t need to remind you about that flooding last year, do I?
REPORTER: No, sir, but…
MAYOR: Or how the work he did getting planes in the air when he was Secretary of Commerce? Not to mention the work he did getting radio up and running across the country. (teasingly) But, of course, you probably won’t want to write about that – radio being your competition and all in the news game.
REPORTER: What about his statement that any man worth his salt should make his first million before he was thirty? How’s that going to play with the common working man? Just looking around, West Branch seems to be running a bit light on millionaires.
MAYOR: Excuse me, sir, but in this year of our Lord nineteen twenty eight, we have never been more blessed or prosperous. Look at the facts: we have more home ownership than ever before in our nation’s history. The common man is investing in the stock market alongside the old money. There’s room and opportunity for everyone. And Herbert Hoover’s the man to protect that.
REPORTER: Well, yes, but for the working man…
MAYOR: But nothing! Tell me -- how many of the candidates have been working directly with US Steel to bring the twelve hour day down to a reasonable ten hours?
REPORTER: Well, given his connections in the government…
MAYOR: Exactly – Herbert Hoover has more experience than all the other candidates put together. Tell me – how many Belgians did they save during the Great War? Five? Twenty? A hundred?
REPORTER: Well, not directly, but…
MAYOR: The man’s life’s work is beyond reproach. Tell me. How many books – including texts that have become standards in the field – have the other candidates written?
SFX: TRAIN WHISTLE AND TRAIN SOUND OFF MIC FADING IN
MAYOR: Now if you will excuse me, I must get ready for Iowa’s favorite son and, Lord willing, the next president of the United States. (pause then yelling off mic) Start the band, boys! Here he comes!
SFX: BRASS BAND WITH LIVELY HAIL TO THE CHIEF (or Iowa song) UP AND UNDER
NARR: Friends. We come to the end of our story tonight that has traced our hero from his humble beginnings to the great man he is today. Call him what you will – the Master of Emergencies, the Great Humanitarian, or Liberty’s Protector – Herbert Hoover is the best man for the Presidency. (pause)
SFX: MUSIC SWELL THEN UNDER
NARR: Remember, when you are in the privacy of the voting booth on November Sixth vote wisely. (emphatically) Vote Hoover. The future of our great nation is in your hands.
SFX: MUSIC SWELL THEN OUT
Radio dramatist William Anderson was artist-in-residence at Herbert Hoover National Historic Site in 2008. During his residency Dr. Anderson wrote the radio drama script "The Son of West Branch, America's Great Humanitarian". His production of that script won an Award of Excellence from the Broadcast Education Association in 2012.
Last updated: November 2, 2017