We have found the CD to be enormously valuable in the detailing
and specification writing for exhibit cases. And the extensive testing
and resources listed help allay the concerns of our clients that
they receive the best quality environments for their artifacts.
– Mike Lawrence, Exhibit Designer, MFM Design
Since acquiring the Exhibit Conservation Guidelines CD, I find
that our exhibitions department has a powerful tool to plan a show.
The CD seems to put the information on a neutral ground.
– Rachel-Ray Cleveland, Paper Conservator,
N.I.H., History of Medicine Division
The new CD appears to be a very useful tool for both parks and
partners.
– Matthew Wilson, Curator, National Park
Service
The Guidelines publication is a great addition to the exhibit field
and I would like to work towards having it used by all Smithsonian
Museums.
– Richard Pelasara, Supervisor, Office of
Exhibit Central, Smithsonian Institution
The CD really helps make our case! (No pun intended.)
– Susan Page, Paper Conservator, National
Archives
What an impressive amount of information and data, and also presented
in a format that allows for easy understanding and amazing flexibility.
You can be sure that I will find a forum that will allow you to
come up here some time during the year…I believe that your
presentation should really be heard by our students.
– Bruno Pouliot, Objects Conservator, Art
Conservation Department, Univ. of Delaware
It is a comprehensive textbook - something rare in conservation…One
tool that I found particularly useful was the table on advantages
and disadvantages of various ways to control UV light levels.
– Martha Simpson Grant, Objects Conservator,
Austin, Texas
The CD will greatly assist designers when we deal with clients
that have no preservation background or conservator to consult…I
see it as a very versatile tool…It will have the affect of
prodding a lot of new products out of the field.
– Dave Lenk, Designer, National Museum of
American History
I’m already putting the CD to use as I have a bunch of inquiries
this week about case design as it relates to silver. I’m still
getting the hang of it, but I’m finding my way through it
and printing out PDF’s as I go.
– Lori van Handel, Conservation Consultant,
Williamstown Art Conservation Center
The work collected in the CD-ROM on conservation and exhibitions
recently produced by the Parks Service… represents a wealth
of experience and innovative thought that fits exactly within the
profile of initiative we would like to expose our participants to.
– Katriina Simila, Conservation Training
Coordinator, ICCROM
I’m currently president of the Museum Association of Montana
– an organization made up of a lot of small volunteer museums
or museums with one or two paid staff with a range of professional
training. This would be a valuable tool for them to have in their
libraries.
– Deirdre Shaw, Curator, National Park Service
IT LOOKS TERRIFIC AND THE FEW SECTIONS I READ ARE JUST THAT! Thanks
for initiating this project and seeing it through. What are you
going to do next along these lines?
– Chris Tahk, Director, Art Conservation
Department, State University College at Buffalo
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