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Discover Our Shared Heritage Travel Itinerary American Latino Heritage |
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San Francisco de Assisi Mission Church Ranchos de Taos, New Mexico |
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The Spanish colonists were well established in New Mexico by the 18th century, a period when Spain was at the height of its imperial power in North America. Around this time, civilian Spanish and Mexican families began to settle permanently in Ranchos de Taos, in northern New Mexico. By the mid-18th century, this Catholic agricultural village founded the San Francisco de Assisi Mission. The Franciscans supervised the construction of the historic church between 1772 and 1816. A National Historic Landmark, the Spanish Colonial San Francisco de Assisi Mission Church is a well-preserved adobe building in the heart of the community at the center plaza of the Ranchos de Taos Historic District.
Spanish colonists began to settle permanently in the village of Ranchos de Taos in the mid-18th century. They moved from the larger Spanish and Pueblo community at Taos Pueblo to farm the fertile land, where they grew wheat and corn. To defend themselves against Comanche raiders, who were attracted to the rich Taos Valley, the settlers built their adobe homes and other buildings close together around a common plaza. The church sits on this plaza. Francisco de Assisi Mission Church remains an important center of community life and the citizens of Ranchos de Taos ensure it stays in good condition. During major restoration in 1967, workers applied a hard plaster to protect the exterior and prevent future damage, and added a new roof. They also replaced the church doors with accurate replicas of the originals, and the vigas -- wooden ceiling beams-- and 60 percent of the corbels with historically accurate reproductions. Despite this attempt to protect the church, the hard plaster proved to be damaging. Since this time, citizens of Ranchos de Taos, parish members, and visitors gather for two weeks each June to re-mud the exterior of the adobe church with a mixture of mud and straw.
Because of its imposing form and sculpted body, the church is a favorite subject for artists. Ansel Adams photographed the church for his Taos Pueblo art book and Georgia O’Keeffe painted a series of perspectives of the church. O’Keeffe once described it as “one of the most beautiful buildings left in the United States by the early Spaniards.” In most works, these artists favored the view of the back of the church, with its smoothly sculpted adobe beehive buttresses. The beautiful colonial-era church continues to attract artists and the Ranchos de Taos plaza is home to several galleries.
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