Sperry Andrews was the longest resident of Weir Farm, living on the property for almost fifty years, from 1957 until 2005. Besides being a prolific artist here, he and his wife Doris were also the preservationists for the site. As stewards of property, they understood the unique significance of the farm’s tradition of art and family life in a pastoral landscape. Through their efforts, Weir’s original “farm among the rocks” became a national historic site in 1990, one of 391 national parks that tell the story of America.

From his childhood, Sperry Andrews understood that he was an artist. He was born in New York City on October 5, 1917, and grew up in the Yonkers-Bronxville area. His supportive father, though himself a banker, encouraged Andrews’ artistic endeavors. “If that’s what you want to do, go ahead and do it,” his father said. Andrews did just that, attending art school at the National Academy of Design from 1933-1936. At age twenty-one, his artwork was in its first juried exhibition—the 113th Annual Exhibition at the National Academy of Design.

World War II took Andrews away from his art education when he was drafted into the Army in 1941.  He went overseas to Iceland and served as part of task force for more than two years with the 50th Ordnance Ammunition Company. He then served in England, Normandy and Germany. Despite the war, Andrews continued art in his time off, chronicling his experience in a series of personal scrapbooks illustrated in watercolors. After the war, he returned to New York City and took advantage of the GI Bill by enrolling in the Art Students League. It was here that he met fellow student Doris Bass when they shared an easel together. The two were married and then moved to Ridgefield, Connecticut in 1948.