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Public Interpretation Initiative
John H. Jameson, Jr. This article outlines the purposes and direction of the Public Interpretation Initiative (the Initiative), a public outreach program initiated and coordinated by the Southeast Archeological Center, National Park Service, Southeast Region. Initiative activities have been designed to facilitate communication among the various practitioners in the field, be they archeologists, interpreters, or educators. National and international activities have included the organization and coordination of separate symposia, workshops, training sessions, publications, and exhibits presented in a variety of forums. Publications on developed Initiative themes from 1997 to the present have consisted of case study volumes and articles relating to the public interpretation and educational archeology. As archeologists, interpreters, educators, and resource managers, we must work together to empower the public to learn about and enjoy its archeological and historical heritage. PURPOSE The Public Interpretation Initiative was developed in response to the growing public interest in archeology, and out of the realization within the professional community that archeologists can no longer afford to be detached from the mechanisms and programs that attempt to communicate archeological information to the lay public. The Initiative helps to accomplish the goals set by the Secretary of Interior in his statement for a national strategy in Federal archeology. The statement outlines basic elements of the national strategy for the preservation of archeological sites, which emphasize public education and participation as well as interagency information exchange. The Initiative also helps to accomplish Section 10 (C) of the Archeological Resources Protection Act (ARPA) that requires each Federal land manager to "establish a program to increase public awareness of the significance of the archeological resources located on public lands and Indian lands and the need to protect such resources." THE CHALLENGE Though many public programs and exhibits have met some level of success in effectively dealing with the issues of public interpretation of archeological data, many have fallen short in the realm of education and communication. In the l990's and beyond, we must summon ourselves to reach out to the public and involve them in the rich diversity of their national and ethnic experiences. To do that, we must also educate ourselves (those of us charged with keeping our legacy alive) on the issues. The programs and activities of the Public Interpretation Initiative represent an attempt by the National Park Service to bring the fascinating subjects of archeology and cultural history into focus for the public eye. (Ehrenhard and Jameson 1990; Jameson 1991). ASSUMPTIONS AND NEEDS The basic premise of the Initiative is that many past failures in the realm of public interpretation of archeological and historic sites have resulted from intrinsic differences in perspective between archeologists and professional interpreters and educators. This difference in perspective stems from the more technical and academic interests of the archeologist/historian versus the less didactic goals of exhibit and program designers of providing uncomplicated, educational, yet entertaining interpretive programs. Archeologists and interpreters need to communicate more effectively to insure that the common goal of creating interpretive formats easily absorbed and appreciated by the lay public will be achieved. THEME DEVELOPMENT Since 1990, through a variety of workshops, training courses, and academic symposia, several Initiative sub-themes, international in scope, have emerged and are continuing to be developed. Major themes have included: (1) the archeologist's vs interpreter's respective roles in developing and designing effective interpretive programs; (2) on-site museum and visitor center critique; (3) the educator/curator/designer planning triad; (4) African-American oral histories, park programs, and popular histories; (5) interpreting culture for younger audiences; and (6) sensitive interpretation in multicultural societies. Programs have been organized at several professional conferences, including the National Association of Interpretation (NAI), the World Archaeology Congress (WAC), the Society for American Archaeology (SAA), the Society for Historical Archaeology (SHA), the American Anthropological Association (AAA), and the Association for the Study of Afro-American Life and History (ASALH). Technical and financial support within the National Park Service has been provided by the NPS Archeology and Ethnography Division and the Stephen T. Mather Employee Development Center. More recent activities have focused on new horizons in public interpretation. Figure 1 is a tabulation of past Initiative activities 1990-1993. World Archaeological Congress (WAC-5) Sessioin, June 2003: Archaeology and the Arts: the Ancient Muses and other Inspirations SAA Annual Conference, April 22, 2001 - Symposium/NPS
Publication: "Ancient Muses: Archeology and the Arts" E-mail: john_jameson@nps.gov. Symposium: "Giving the Public Its Due: New Horizons in the Public Interpretation of Archaeology," SOCIETY FOR HISTORICAL ARCHAEOLOGY ANNUAL MEETING, Quebec City, Quebec, Canada, January 4-9, 2000. "Archeology and the National Park Idea" Symposium
- World Archaeological Congress 1999
"Reconstructions, Pro and
Cons and the Role of Archeology" Symposium and Planned Publication
NPS-Sponsored Training
Course Development Other Sessions and Workshops Periodically, additional 16-24 hour seminars and workshops are organized by SEAC on the topics of public interpretation and education in archeology. Information: For an updated listing of activities, contact John Jameson, e-mail: john_jameson@nps.gov. Also see: A Colonial Classroom: Fort Frederica National Monument Workshop. Presenting Archaeology to the Public: Digging for Truths (1997) is an anthology of interpretation projects and case studies. Other volumes include the Ancient Muses: Archaeology and the Arts book, a 2003 WAC-5 session with related theme, and a compilation of papers presented in the "Reconstructions, Pro and Cons and the Role of Archeology" Symposium that, with additional contributions, resulted in the 2004 volume The Reconstructed Past. A theme issue of the THE GEORGE WRIGHT FORUM featured papers and contributed articles stemming from the symposium "Archaeology and the National Park Idea: Challenges for Management and Public Presentation" at the World Archaeological Congress (WAC-4) held in Cape Town, South Africa in January 1999. Also see References Cited and other publications. Public archeologists in NPS and elsewhere are not content to rely solely on traditional methodologies and analytical techniques in their attempts to reconstruct human history and bring it to life for the public. We want to venture beyond utilitarian explanations and explore the interpretive potential of cognitive imagery that archeological information and objects can inspire. In partnership with professional interpreters and educators, we use the power of artistic expression to convey archeological information and insights to the public. At our parks and historic sites, we use the archeological record to enhance the visitors' experience, and, working with our interpreter colleagues, help to create opportunities for visitors to form intellectual and emotional connections to the meanings and significance of archeological information and the people and events that created them. Since 1991, SEAC, through its public archeology interpretive art program, has supported national parks and other public agencies in producing art works that help tell the fascinating stories of America's cultural heritage. The
focus of SEAC's interpretive art program has been the creation of 50+
original oil paintings, drawings, and sketches by artist Martin Pate.
In producing these works, the artist works closely with archeologists
and interpretive specialists. The goal is to inform and inspire the
public, through conjectural interpretive art, about archeologically
documented cultures, sites, and events. The images are used in a variety
of formats, including posters, book covers, and wayside exhibits. They
will be discussed and illustrated in SEAC's 2003
Ancient Muses: Archaeology and the Arts book and Web site. CONCLUSIONS The Public Interpretation Initiative program represents an attempt by the National Park Service to foster a cross fertilization and exchange of ideas toward a more holistic approach to public interpretation. This is achieved through a variety of programs and forums, including interdisciplinary symposia and workshops, publications, and interpretive art projects. Undoubtedly, the key to our success lies in the realization that, whether or not we are trained archaeologists, we are the ones that define and mold the interpretive and educational programs that meet the public's eye. As archaeologists, interpreters, and educators, we can and must act in tandem as a lens to focus the public eye on the learning and appreciation of archaeological and historical resources (Jameson 1991; 1993a; 1993b; 1993c; 1993d; 1994a; 1994b; 1997; 2000; 2001, 2003, 2004a, 2004b). 2004a Unlocking the Past: Historical Archaeology in North America, A Multiyear Public Outreach and Education Project of the Society for Historical Archaeology (Lu Ann DeCunzo and John H. Jameson, Jr., editors). University Press of Florida, Gainsville. [in press]. 2004b The Reconstructed Past: Reconstructions in the Public Interpretation of Archaeology and History (editor). AltaMira Press: Walnut Creek. 2003 Ancient Muses: Archaeology and the Arts (co-editor with John E. Ehrenhard and Christine Finn). Approx. 280 pages, with 47 illustrations and accompanying multimedia CD. University of Alabama Press, Tuscalooosa and London. 2001 Making Good Horse Sense: Interpretive Art at Little Bighorn National Monument, Montana. Paper delivered at the 59th Plains Anthropological Conference, Lincoln, Nebraska. 2000 Public Interpretation, Education and Outreach: The Growing Predominance in American Archaeology. In Cultural Resource Management in Contemporary Society, One World Archaeology 33, Francis P. McManamon and Alf Hatton (editors). One World Archaeology Series. Routledge: London and New York.
Prior to 2000: 1990 Introduction [to archaeology section]. In The 1990 National Interpreters Workshop, National Association of Interpretation, Fort Collins, Colorado. John E. Ehrenhard and John H. Jameson, Jr. Jameson, John H., Jr.
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