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Edited by John H. Jameson, Jr., John E. Ehrenhard, and Christine A. Finn

Published by the University of Alabama Press


The practice of archaeology, as well as archaeologically derived information and objects, can inspire a wide variety of artistic expressions ranging from straightforward computer-generated reconstructions and traditional artists' conceptions to other art forms such as poetry, opera, and storytelling. Although some level of conjecture will always be present in these works, they are often no less conjectural than technical interpretations and have the benefit of providing visual and conceptual imagery that can communicate contexts and settings in compelling and unique ways. These cognitive connections between archaeology and art reflect an inductive approach in defining and explaining the resource and making it more meaningful to the public. An emphasis on artistic interpretations and narrative is consistent with a new direction in archaeological practice that challenges the positivist paradigm of processual archaeology, promotes the relevance and validity of deductive reasoning over inductive reasoning, and represents a fundamental change in how archaeologists plan and conduct research and evaluate significance.
         This book examines a variety of examples of this new approach as it applies to more meaningful and effective approaches to interpretation that emphasize public awareness, access, and inspiration. The book includes case studies where archaeology has inspired artistic expression, and where interpretive art is used to inspire and educate the public.

June 2003
288 pages, 50 illustrations
6 1/8" x 9 1/4"
ISBN 0-8173-1274-9 - $29.95s paper
ISBN 0-8173-1273-0 - $60.00s unjacketed cloth
Order: U AL Press Distribution Center: (800) 621-2736
http://www.uapress.ua.edu/NewSearch2.cfm?id=132516