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Determining the Facts


Excerpt from the National Register Nomination
for Chicago's Black Metropolis

 
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The Black Metropolis Thematic nomination is comprised of eight individual buildings and one public monument which collectively represent what are among the most significant landmarks of black urban history in the United States. Centered in the vicinity of State and Thirty-fifth streets on Chicago's Near South Side, these properties are the tangible remains of what was once a thriving "city-within-a-city" created in the early part of this century by the city's black community as an alternative to the restrictions, exploitations, and indifference that characterized the prevalent attitudes of the city at large. In contrast to usual urban development patterns of the time where blacks settled in existing neighborhoods and buildings, the community at State and 35th streets was literally built from the ground up with its own economic, social, and political establishment, directly supported by black enterprise and capital. Contemporarily referred to by residents as "the metropolis," the development had firmly established itself by the turn of the century, and prospered until the 1930s when the Depression and socio-economic conditions virtually halted its further development.
 
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The origin of Chicago's black heritage is synonymous with the origin of the city itself, one of the earliest recorded permanent settlers being Jean Baptiste Point DuSable, a French-speaking black who was engaged in trade with the Indians by the 1780s. Upon Point DuSable's departure in 1800, there was no significant black settlement in the area until the 1840s as Chicago was developing as a rapidly growing Midwestern city. At that time, blacks fleeing oppression in the South began to settle in Chicago, forming the nucleus for what was to develop into the first cohesive black community, which, according to census records, was comprised of 323 persons in 1850 and nearly tripled to 955 persons by 1860. The black community was not assimilated into the city at large, but was concentrated into small pockets throughout the city, the largest settlement being on the Near South Side, adjacent to the western fringes of the central business district. By 1870, the city's black population had grown to 3,691 persons, and steadily doubled in number with each succeeding decade. The boundaries of the South Side black community expanded southward in a long narrow strip, often known as the "Black Belt", bordered by the railroad yards and industrial properties to the west, the affluent residential neighborhoods adjacent to Wabash Avenue to the east, and extending south from Van Buren Street to Thirty-ninth Street, a distance of nearly five miles. The established white business and social communities of Chicago were largely indifferent to the black community, consequently it gradually evolved a complete commercial, social, and political base of its own. As the black community grew, the demand for goods and services was increasingly supplied from within the community itself, and had diversified to such an extent by 1885 that a complete directory of black businesses was published, The Colored Men's Professional and Business Directory of Chicago. Similarly, black-supported churches and social organizations proliferated, and evidence of the community's political strength was shown in the election of John Jones, to the Cook County Board of Commissioners in 1874. Jones, a downtown tailor of mixed free-black and white parentage, was supported in his election by both blacks and whites, and was the first black to hold elected office in the State of Illinois.
 
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By 1900, with a population of 30,050 persons, the South Side black community began to take on the characteristics of a small "city-within-a-city," which paralleled the growth and expansion of the City of Chicago at large. A major factor in the growth of "black metropolis" after the turn of the century was its increasing access to financial resources due to the prosperity of the black community. The unwillingness of the established white financial community to support its enterprises ceased to be an impediment to growth. Through the great amount of money generated within the black community, an increasingly independent economic base developed, culminating in the establishment of Chicago's first black-owned bank founded by entrepreneur Jesse Binga in 1908. With greater access to financial resources, the commercial and business interests of Metropolis greatly diversified, with a wide range of professional, commercial, and manufacturing interests.
 
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Growth was further intensified by an increase in the black population by 148% between 1910 and 1920, a period often referred to as the "Great Migration" due to the great numbers of blacks who left the South for greater opportunities in Chicago during that time. Despite the fact that it was in large part cut off from the economic and social mainstream of the rest of the city, Black Metropolis, with a population of 109,548 by 1920, had firmly established itself as a virtual self-contained metropolitan development.
 
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Beginning with the establishment of the black-owned Binga Bank at 3633 South State Street in 1908, the vicinity of State and 35th streets was rapidly transformed into the Wall Street of the black community, housing a wide variety of commercial enterprises. Until the time of the Great Migration, the black business community was largely housed in existing residential and small storefront buildings which were adapted for business purposes, often with unsatisfactory results. New construction was limited mainly to a handful of small one- and two-story structures which were erected as investments by white speculators with an eye on the growing potential of the black economic market. This trend was reversed in 1916 when ground was broken for the Jordan Building, at the northeast comer of State and 36th streets, an impressive three-story combination store and apartment building which was commissioned by songwriter and music publisher Joseph J. Jordan. The precedent of the Jordan Building was closely followed by a series of ambitious black-owned and -financed building projects which were carried out along South State Street throughout the 1920s. The most important of these included the Overton Hygenic Building, a combination store, office, and manufacturing building commissioned by the diverse entrepreneur Anthony Overton in 1922; the Chicago Bee Building, also commissioned by Overton in 1929 to house the Chicago Bee newspaper; the seven-story Knights of Pythias building erected in 1926 by a prominent lodge order after plans by Chicago's first black architect, Walter T. Bailey; and the quarters of the Binga State Bank and the Binga Arcade Building, erected by Banker Jesse Binga in 1924 and 1929 respectively. Of these buildings, the Jordan, Overton Hygienic, and Chicago Bee buildings still survive, largely as originally designed during the boom time of Black Metropolis.
 
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In marked contrast to the staid banks, insurance companies, and professional offices which conducted business by day on State Street, the area was magically transformed by night by the bright lights and exciting sounds of the numerous nightclubs and all-night restaurants which were interspersed throughout the business district. These were the popular jazz clubs where such notables as King Oliver, Louis Armstrong, and Jelly Roll Morton played and earned Chicago its reputation as a jazz center in the 1920s. Many of the musicians had arrived from New Orleans, St. Louis, and other points south, each bringing with them characteristics of the musical style of their origins, yet the combination of regional styles soon melded into a distinct musical character which was uniquely Chicago. Beginning with Robert T. Motts' Pekin Theater at 2700 South State Street, which opened in 1905, Black Metropolis began to develop numerous music-oriented clubs and cafes during the following decade, reaching their height in the 1920s. Among the most famous were the Dreamland Cafe at 3618 South State Street, the Royal Gardens (later Lincoln Gardens) at 459 East 31st Street, and the Elite Club at 3030 South State Street. A notable and notorious club was the white-owned Panama at the southeast comer of State and 35th streets, where actress and cabaret performer Florence Mills got her start as part of the Panama Trio, and whose pianist was the noted performer and songwriter Tony Jackson, who is best known for composing the million-dollar hit "Pretty Baby" in 1916. The musical intensity of the area was such that it once was suggested that if a horn were held up at the comer of State and 35th streets, it would play itself because of all the musical winds circulating in the area.
 
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Churches played an important role in the development of Black Metropolis, both from a spiritual as well as a social standpoint in the community. Large congregations such as the Olivet Baptist Church and Pilgrim Baptist Church conducted extensive social programs, and were instrumental in securing lodging and employment for the newcomers which arrived from the South during the "Great Migration." Similar programs were conducted at the Wabash Avenue Y.M.C.A. which opened in 1914 through the impetus of philanthropist Julius Rosenwald, the President of Sears, Roebuck & Company, who had considerable interest in black-oriented causes. Programs at the Y.M.C.A. included extensive job training programs including such specialized programs as auto repair and manual training.
 
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Organized political alliances gave Black Metropolis increased participation in city government, beginning with the election of Oscar DePriest as the city's first black alderman in 1915. Initially working in alliance with the white Republican bosses who controlled the political destiny of the Black Metropolis wards, DePriest sought to build a political organization of his own, forming the "Peoples Movement Club," with headquarters in a former Jewish social club at 3140 South Indiana Avenue. While DePriest's organization was the most influential of the black political organizations, it faced stiff competition from other organizations and rival political figures within the black community. The political voting strength of the Black Metropolis wards was such that by the 1920s the political control was effectively taken from the white political bosses who formerly controlled them, and put into the hands of political figures from within the black community. Gains were made in representation in municipal government as well as in the state legislature, and in 1928 Oscar DePriest had the distinction of being the first black from the North to be elected to a seat in the United States House of Representatives, serving for three consecutive terms.
 
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The Black Metropolis development gained nationwide publicity as a model of black achievement, with extensive coverage in both the white as well as the black press of the time. Chicago was one of the centers of black journalism, having at different times several black-owned newspapers, including the Chicago Whip, Chicago Bee, Broad Axe, and the Half Century Magazine. The most influential of the Chicago publications was the Chicago Defender, a newspaper of nationwide circulation which was founded by Robert S. Abbott in 1905. The Chicago Defender had a major impact on black thought and development in America by its combination of news items pertinent to blacks nationwide in conjunction with strong editorial viewpoints on a wide variety of civil rights issues. The "Great Migration" of 1910 to 1920 was due in large part to editorials published in the Chicago Defender urging blacks to leave the oppression of the South for greater opportunity in Chicago and the North.
 
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Black Metropolis reached the height by the mid-1920s, but its economic vitality began to gradually weaken after 1925 due to socio-economic conditions which were out of the control of its developers. Although the growth and prosperity of Black Metropolis was directly tied to the rapid growth of the black population, particularly during the Great Migration, the sharp decline in new arrivals during the 1920s slowed its development. As employment opportunities did not keep pace with the population increases of the previous decade, unemployment weakened the financial base of the community, adversely affecting the businesses of Black Metropolis which were reliant on support from within the black community. Further deterioration of the financial base occurred when white businessmen who previously had ignored the black community began to realize its economic potential. Rather than attempt to break into the prosperous existing market at 35th and State, an alternate business area was created along 47th Street principally developed and financed by white developers and store owners who controlled the property to such an extent that black-owned and -developed properties and businesses were largely excluded from the area. The introduction of established white chain stores and commercial enterprises along 47th Street gave insurmountable competition to the independent black business of the 35th Street district and progressively siphoned off its energy and self-supporting financial base. The final blow to Black Metropolis came with the Great Depression of 1929 which closed down most of its black-owned banks, insurance companies, and other business interests, while many of the businesses of 47th Street with their broader access to credit and nationwide financial backing remained largely intact. The self-supporting momentum of Black Metropolis, which its backers had hoped would lead to recognition and eventual integration with the established downtown business establishment, was thus dealt a serious blow from which many negative after-effects lingered for decades.
 
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After the 35th Street district lost its principal business interests during the Depression, the area quickly declined, and by 1950 one local writer dismissed the intersection of 35th and State streets as "Bronzeville's skid-row." Deterioration and urban renewal took their toll during the 1950s and 1960s resulting in the demolition of entire blocks along State Street for the construction of public housing projects and the campus of the Illinois Institute of Technology, as well as extensive isolated demolitions throughout the community.
 
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Fortunately, many of the most significant buildings of the Black Metropolis development have survived, although some are in a state of neglect and deterioration. Collectively, these buildings are worthy of recognition and preservation as monuments to the determination of the black urban pioneers who created them.
 

The reading was excerpted from Timothy Samuelson, "Black Metropolis Thematic Nomination" (Cook County, Illinois) National Register of Historic Places Registration Form, Washington, D.C.: U.S. Department of the Interior, National Park Service, 1986.

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