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Born
January 1, 1888, in White Haven, Tennessee, two miles north of the Mississippi
state line, Frank Stokes was raised in Tutwiler, Mississippi, after the
death of his parents. As a youth Stokes learned to play guitar before
moving to Hernando, Mississippi, home to guitarists Jim
Jackson, Dan Sane, Elijah Avery (of Cannon's
Jug Stompers), and Robert Wilkins. In
Hernando, Stokes worked as a blacksmith, traveling to Memphis
on the weekends to play guitar.
Possessed of a powerful voice and driving guitar style, Stokes busked
on the streets of Memphis playing a variety of minstrel tunes, early blues,
ragtime numbers, breakdowns, and popular songs of the day. His breadth
of musical knowledge made him the embodiment of the rural black musical
tradition up to the early twentieth century. Stokes joined forces with
fellow Mississippian Garfield Akers as a blackface songster, comedian,
and buck dancer in the Doc Watts Medicine Show, a tent show that toured
the South during World War I.
Tiring
of the road, Stokes settled in Oakville, Tennessee, to work as a blacksmith,
an occupation that allowed him to play dances, picnics, fish fries, saloons,
and parties at his leisure. During the 1920s he teamed with guitarist
Dan Sane, joining Jack Kelly's Jug Busters to play white country clubs,
parties and dances, and playing Beale
Street together as the Beale Street Sheiks. This group first recorded
the stomping party music they performed on the streets in August 1927.
The fluid guitar interplay between Stokes and Sane, combined with a propulsive
beat, witty lyrics, and Stokes's stentorian voice, make their recordings
irresistible. Their duets also influenced Memphis
Minnie in her duets with husband Kansas Joe McCoy. The Sheiks recorded
again a year later in the Memphis Auditorium (a session where Furry
Lewis also recorded), waxing more fine blues and adding to their considerable
stature. They continued to busk the streets, playing Church's Park (now
W.C. Handy Park) on
Beale Streetin addition to the usual round of parties, fish fries, and
suppers. Stokes's last recording session was again in Memphis in 1929,
but the race-record-buying public's rapidly changing tastes lessened his
commercial appeal. He was still a popular performer, however, appearing
in medicine shows, the Ringling Brothers Circus, and other tent shows
during the 1930s and 1940s. During the 1940s, Stokes moved to Clarksdale,
Mississippi, and occasionally worked with Bukka
White in local juke joints.
Frank Stokes died in Memphis, Tennessee, September 12, 1955. He is buried
in Hollywood Cemetery.
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