| Cultural
The
cultural resources of the Grand Canyon-Parashant National Monument are
fragile and non-renewable. At the present time it is thought that at
least 12,000 years of human occupational culture has occurred in the
region. These cultures include the Paleo-Indians, the Archaic, the ceramic
period, the protohistoric, the historic and the recent period. Most
of this occupation of the Monument is unstudied, but impacted by wanton
vandalism. The most obvious sites are those of the prehistoric ceramic
(pottery) producing American Indians often referred to by Archaeologists
as the "Anasazi", or "Hitsatsinom", or by the all inclusive "Puebloan
Ancestors" by the advocates of political correctness. These sites are
often either storage structures called cists, habitations (homes) called
pueblos, and artifact scatters, or merely artifact scatters. Artifact
scatters consist of one type, or any combination of types that include
sherds (broken pottery fragments), chipped stone (flakes, projectile
points, or other items), groundstone (mano and metate remains), and
other remains of human activity.
Another
site type is Rock Art both pecked (petroglyphs) and painted (pictographs)
on the rock Although few on the Monument are Public Use oriented it
is thought that as more research occurs more sites will be made available
for public visitation and appreciation.
Historic
With
the historic European invasion, and colonization of the west beginning
in the Monument region around 1776 we are now realizing the Historic
value of these sites as a continuation of the ongoing story of the land.
The remains of farms, homesteads, lumber mills, mines, ranches, sheep
camps, and other sites of importance to the region have been to a large
extent allowed to disintegrate. However a few examples have survived
the elements and the scavaging vandal. These sites are currently being
considered for preservation efforts. It is hoped that they will eventually
help educate, and instill a sense of conservation and appreciation to
the general public.
One of the primary goals
of the cultural resource program is to illustrate by example the depth
of the human spirit now represented on the public lands. It is only
with the cooperation of the general public that any of this is possible.
Once our history is lost it cannot be recovered, and we all lose a bit
of our identity as a species of considerable worldwide cultural diversity.
The diversity of our species is what makes all of us unique and creates
a sense of wonder and interest in our cumulative past.

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