"They [the
National Park Service] are playing out a drama that was all her vision
and her planning."
-Conrad Warren II,
1993.
Nellie had over a
decade to visit with her grandmother-in-law, Augusta Kohrs. Con remembered
later
"They'd giggle
like a couple of school kids."
It was during these
times Nellie learned all she could from Augusta. Where did all these beautiful
things come from? Where did you have them in the house? She carefully
recorded Augusta, Anna, and Katherine's recipes in a ledger.
In the 1950 and 1960s,
her children raised and her husband's business established, Nellie had
time to explore her love of history and that of the ranch. She personally
cared for Kohrs home belongings she had learned about. She kept the old
parlor furniture out of the sunlight. She had the old house cleaned top
to bottom twice a year. Upholstered chairs infested with moths and carpets
full of silverfish were removed. Nell and Con refinished a couple of the
old chairs and repaired a china doll. The journals from Kohrs' days as
a butcher were cleaned with art gum, a technique still used by conservator's
today. When the roof went bad on the old house, the furnishings were stored
off-site. Nellie was the site's first collection manager.
During this time, Nellie happened to read Gods, Graves, and Scholars:
The Story of Archeology written by C. W. Ceram in 1951. Her son credits
this book for providing the impetus behind her vision of preserving the
ranch as a museum for a larger audience. As an example, family acquaintances,
the Boveys, had been restoring historic Virginia City, Montana since the
late 1940s. The National Park Service recognized the significance of the
ranch, notifying the Warrens in 1958 that it could be designated a National
Historic Landmark. In 1966, Nellie read about the Eisenhower Farm acquisition
by the National Park Foundation as a national historic site. She asked
her husband, "Wouldn't the Foundation want to acquire their ranch
for the same purpose?" At her insistence, Conrad Warren wrote
the National Park Service and put the ball in motion. But, he always gave
his wife full credit for preserving the ranch, "If it hadn't been
for her, we wouldn't be standing here right now." Like many historic
homes and sites throughout America, it was a woman who ensured the preservation
of a national treasure. Nellie was the site's first preservationist.
Conrad Warren wanted
to save his family's historic ranch. He wanted to hold together the land
and the buildings they had established, a place he had grown up on and
managed since the 1930s. But Nellie Warren recognized the importance of
the collections. She knew they must remain in place so the site could
be presented to the public as it was in the time of John Grant and Conrad
Kohrs. You can almost hear Nellie's voice when Conrad writes the Assistance
Secretary of the National Park Foundation, "you would also have
to agree that . . . none of the antiques or artifacts would be removed
from the premises." When all was said and done, Conrad and Nellie
Warren gifted the entire collection to the Foundation. Nellie was the
site's first curator.
Not only did Nellie
recognize the importance of the material culture of the family, she researched
the family's place in the history of the west. Before federal historians
appeared to work on official scoping and planning documents, Nellie poured
over family business records, papers, and photographs. Expandable files
and photo albums were assembled by subjects - mining, butcher shops, irrigation
companies, and eastern Montana operations. She kept "digging and
digging" until she was able to establish a clear picture of the Kohrs'
business operations through time. Nellie carefully edited Conrad Kohrs:
An Autobiography for publication. Conrad honored his wife with the
first copy of this edition. She was the site's first historian.
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