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Visual Evidence

Illustrations 1and 2: Portraits of Power.


Link to larger version of Joseph Brant by Gilbert Stuart courtesy New York State Historical Association, Cooperstown

(Joseph Brant by Gilbert Stuart courtesy
New York State Historical Association, Cooperstown)

John Johnson by unknown artist, courtesy Johnson Hall State Historic Site
(John Johnson by unknown artist, courtesy Johnson Hall State Historic Site)

The portrait on the left is of Joseph Brant, Mohawk "brother-in-law" of Sir William Johnson. The portrait on the right is of John Johnson, "pretented" son of Sir William Johnson. Both of these men held powerful positions in the Mohawk Valley at the beginning of the American Revolution. Both died in exile in Canada after 1800.

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Questions for illustrations 1 and 2:

1. To have one's portrait painted in the 18th century was a sign of power and status in society. What details in the portraits reveal their very different cultural origins?

2. Molly Brant was the common-law Mohawk wife of Sir William Johnson. She held a higher position in Iroquois society than her brother Joseph and yet there are no known portraits of her. What might this lack of visual evidence suggest about European-American views of the status of women in 18th century society?

* The illustration on this screen has a resolution of 72 dots per inch (dpi), and therefore will print poorly. You can obtain a high quality versions of Illustration 1 and Illustration 2, but be aware that the file will take as much as 25 seconds to load with a 28.8K modem.

 

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   Last Modified:Friday, 22-Feb-2002 11:20:53 Eastern Standard Time    EDT

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