"Lord knows the characters talk too much ... But it is good talk-racy, angry, comic drumbeats on the lid of doom." 
-Critic Brooks Atkinson, 1946
The Tao House Plays
Long Day's Journey Into Night
1941

(From top, clockwise) Frederic March, Jason Robards, and Bradford Dillman inLong Day's Journey Into Night, 1956.
 
 
"This play of old sorrow, written in tears and blood." 

-From the dedication to Carlotta O'Neill
At Tao House, Eugene O'Neill finally wrote the plays he had been germinating for years, tapping painful memories and working them into compelling theatre. It meant reopening old wounds. Carlotta O'Neill remembered her husband emerging from his study red-eyed and gaunt after working on Long Day's Journey into Night. His remark that "There are moments [in The Iceman Cometh] ... that suddenly strip the secret soul of a man stark naked ..." reflected his own need to forgive and ask forgiveness. The five plays that O'Neill wrote at Tao House include the life studies generally regarded as his fienst achievement, works of profound compassion, elegies of pity and absolution. 


The Eugene O'Neill Foundation, Tao House was created in 1974 toacquire a preserve the historic residence. The foundation is responsible for conducting artistic programs at the site.